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The Costumer's Manifesto is written by
Tara Maginnis, and proudly hosted
by William Baker.
THE MANIFESTO IS
MUTATING! IT IS TURNING INTO A WIKI THAT CAN BECOME THE HIVE MIND OF ALL
COSTUMERS, FINALLY LIVING UP TO IT'S SLOGAN: "COSTUMERS OF THE WORLD,
UNITE!" YOU CAN HELP IN THIS PROCESS BY MOVING PAGES TO
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HELPING TO EDIT THE PAGES THAT ARE THERE ALREADY, AND ADDING YOUR OWN ORIGINAL
INPUT.
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Note: This workbook was made in 1984-85 as part of my my MA Project at
California State University Fresno. It was intended as a text workbook for the
Advanced Costume Construction class to use in the costume properties portion of the class.
Certain portions of the text now border on the antique because of the date at which it was
written, for example under "Materials" in 1985 a hot glue gun was an unusual
craft supply, only obtainable at hardware stores. I hope you will bear with these
small oddities and look to the basics of this work, intended as an introduction to several
basic costume crafts processes. --TM
PROJECT 8
1910 LADY'S HAT OF BUCKRAM
Hats over the centuries have been made
horsehair, leather, felt, and buckram. But it is the last material which offers the most
flexibility for the milliner. As buckram is usually only used for the stable
under-structure of cloth-covered hats, it can easily be covered with straw, leather, or
felt in imitation of hats made out of those materials. Therefore, an ability to make
buckram hats also allows you to "fake" leather, felt and straw hats for the
stage. Project #8 teaches basic construction and covering of a buckram base which can be
applied to any number of shapes of period headgear.
1910 LADY'S HAT OF BUCKRAM
P u r p o s e s:
M a t e r i a l s :
Procedure:
A. Copy pattern pieces onto pattern paper in full
size. Cut out patterns. Use patterns to cut out buckram, felt, and fabric. Cut one each A, B and C out of buckram. Cut one piece each
A, B, and C out of felt. Cut one each of D and E in covering fabric. Cut two of F in lining
fabric.
Pattern Pieces 1 square = 1"
B. Cut slash in buckram hat brim and overlap by 1
1/2". Zigzag by machine or whipstitch edges of overlap
together by hand, as shown.
C. Reinforce buckram as shown by zigzagging hat wire to buckram pieces. On crown
top and brim make sure the wire of the rings overlaps at least 2" at the joint. Put wires on the
underside of brim.
D. Whipstitch the crown band to the crown top by hand. Overlap the excess and
whipstitch edges of the overlap together, as shown.
E. Stitch two pieces of lining
F. together as shown. Run a gathering stitch 1/2"from the straight edge of the piece as shown. Run a gathering stitch around crown cover E,
1/2" from the edge. A gathering stitch
is
a loose stitch, which, when one end stitch, which, when one end is pulled, gathers the
fabric up into irregular folds.
F. PUT ON THE RESPIRATOR. MOVE TO A
WELL VENTILATED AREA. Put a thin coat of "Barge" cement on one side of all the felt pieces. Put a thin coat of
"Barge" on the outside of the buckram crown. When glue is tacky place felt crown top on crown, as
shown. 2003
Note: I now recommend hot glue, or non-toxic contact cement instead of this
glue, as a non-toxic substitute.
G. Coat crown sides with "Barge" cement on
outside. Allow to get tacky. Wrap felt crown sides around buckram. Trim off excess, as shown. Attach
felt side to buckram side with whip stitches, as shown.
H. Coat brim with "Barge" cement on the side wires
are on. If wires are on top side, "pop" the brim inside out so that the wires are on the underside. Cut slit in felt padding.
Smooth felt onto brim. Trim excess overlap. Make sure there are no lumps.
I. Put
away "Barge" cement. Leave buckram frame in ventilated area to dry or speed dry
with a hair dryer. Do not put lining onto hat until glue is no longer tacky or glue will
bleed through. Remove respirator.
J. Gather crown over buckram crown. Stitch
seam allowance to inside of crown with a whipstitch going through hat wire.
K. Sew un-gathered edges of brim lining to
outside edge of brim underside. When you come around the circle there will be
approximately 2" of extra fabric which should be folded under and stitched in place.
Try to stitch as close to the edge as possible.
L. Pull gathering stitch on lining to fit hole in center of brim.
Even out gathers and pin in place. From the top side of brim, fold seam allowance around,
as shown. DO NOT PULL TOO TIGHT OR BRIM WILL BUCKLE. Whipstitch to topside of hole.
M. Lay brim top fabric over brim and adjust to
lay flat with 6-8 pins stuck around the far edges of brim. This will require easing. DO
NOT PULL TOO TIGHT OR BRIM WILL BUCKLE.
N. When top lays flat turn
over brim and pin edges
over underside edge in
a double fold 112"
deep (in other words, fold under the raw
edge.) Pin evenly
every inch. Blind
stitch to lining with
thread matching top fabric
Remove pins.
0. Looking through the
hole from the under
side of brim, clip the
seam allowance of the
top fabric to edge, as
shown. Flip the seam
allowance between the
brim cover and buckram.
Whipstitch
with thread
matching the lining to the lining.
P. Center the crown onto the top of the brim as shown with a few pins. Position the oval of the
crown going from front to back of the head, and the oval of the brim going from side to
side.
Q. Whipstitch the crown to the fabric of the brim cover. Do not go through the buckram
brim or the lining. Remove pins.
R. Trim with fabric, flowers, ribbons or feathers to your individual taste. Check
This page for research
images with period hat styles to adapt.
Return to Costume Properties Construction
Handbook
The Costumer's Manifesto is
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This Page is part of The Costumer's Manifesto
by Tara Maginnis, Ph.D. Copyright
1996-2010. You may print out any of
these pages for non-profit educational use such as school papers, teacher handouts, or
wall displays. You may link to any page in my site.
Pattern Pieces 1 square = 1"
