The Costumer's Manifesto is written by Tara Maginnis, and proudly hosted by William Baker.

THE MANIFESTO IS MUTATING!  IT IS TURNING INTO A WIKI THAT CAN BECOME THE HIVE MIND OF ALL COSTUMERS, FINALLY LIVING UP TO IT'S SLOGAN: "COSTUMERS OF THE WORLD, UNITE!" YOU CAN HELP IN THIS PROCESS BY MOVING PAGES TO THE NEW SITE AT THECOSTUMERSMANIFESTO.COM, HELPING TO EDIT THE PAGES THAT ARE THERE ALREADY, AND ADDING YOUR OWN ORIGINAL INPUT.

 

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Costume Design & Construction

No Color Designs Project (15D)

Color is such a useful trick for establishing character and group identity in plays that often designers forget that pattern, texture and especially silhouette can also be more effective design tools.  One of the best exercises one can do to force oneself to rely more on these tools so as not to get rusty is to design a show periodically that is either monochromatic (uses only one color) or desaturated (uses only gradients of black and white).  It is the latter that you will do here.

To see an example of a show done in this manner see my designs for a low-budget Seagull done in Russia some years ago.

The Project:

From among the following plays, (Hamlet, Patience, The Importance of Being Earnest, Macbeth) choose 10 characters that you will render using only black and/or white or gradients of the same.  Using silhouette, line, and other means still left to you, delineate the characters and their relationships with one another.  You may set the play in any era before 1903, in any culture, or you may costume them totally abstractly, but do not set it any time in the last 100 years of Western civilization's clothes, or you will get unduly distracted by your modern mental associations with certain garments. 

To give you an idea of what might be done in an assignment like this, below are examples of no-color designs for The Taming of the Shrew by UAF student Jolene Howell:

Google
 

 

 

 

Baptista.jpg (341613 bytes) Baptista Bianca.jpg (372187 bytes) Bianca Gremio.jpg (328694 bytes) Gremio Kate.jpg (369258 bytes) Kate Lucentio.jpg (363961 bytes) Lucentio Petruchio.jpg (271183 bytes) Petruchio Tailor.jpg (392897 bytes) Tailor Tranio.jpg (356648 bytes) Tranio Vincentio.jpg (331274 bytes) Vincentio Widow.jpg (325220 bytes) Widow

Then label your drawings something like this:

rendlayout.gif (12895 bytes)

If you have difficulty drawing figures, you can print out some of the outline sheets below, and do your renderings on these sheets.  Printing the sheet onto cardstock will allow you to use watercolors without having the paper wrinkle.

femalefront.gif (4458 bytes)  femalefront.jpg (35571 bytes) Female Front Outline sheet.

femaleback.gif (4527 bytes)  femaleback.jpg (39389 bytes) Female Back Outline sheet.

malefront.gif (5046 bytes) malefront.jpg (42244 bytes) Male Front Outline sheet.

maleback.gif (4843 bytes)   maleback.jpg (38897 bytes)  Male Back Outline sheet. 

Another way of Making rendering easier is to make a "Dancing Man": dancingman.gif (15505 bytes)  Make this out of heavy cardstock, connect the pieces with brads as shown in the center, and lay it on your paper to make different poses for your body-outlines.

Whenever you have spare time this semester, teach yourself more about rendering by going to this links page for more lessons.

Step 2:

Scan and post the images you drew to your files section and post a notification on the message board that you have done renderings for this play and would appreciate feedback from the other students.  

The Costumer's Manifesto is proudly hosted by William Baker.

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This Page is part of The Costumer's Manifesto by Tara Maginnis, Ph.D.  Copyright 1996-2010.   You may print out any of these pages for non-profit educational use such as school papers, teacher handouts, or wall displays.  You may link to any page in my site.