The Costumer's Manifesto is written by Tara Maginnis, and proudly hosted by William Baker.

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18th Century Men's Dress

I ride in a chair with my hands in a muff
And have bought a silk coat and embroidered the cuff
But the weather was cold and the coat was thin
So the tailor advised me to line it with skin:
But what with my Nivernois hat can compare
Bag, wig and laced ruffled, and black solitaire?
And what can a man of true fashion denote
Like an ell of good ribbon tyed under the throat?
My buckles and box are of exquisite taste

The one is of paper the other of paste.

a "solitaitre" bow tie from Diderot a more typical "stock" collar

Scenes from the life of a rich Aristocrat in France c. 1770: 

Google
 

 

 

The Three-Piece Suit and Modern Masculinity
 
 
Colonial Wig

Available from the Nightmare Factory 

 Greeting an attractive ballet dancer in one's box at the theatre.  

524040.jpg (113372 bytes) Going out to a formal evening with one's wife. 

 524043.jpg (102861 bytes) Being measured for a new suit of court clothes by a suitably servile tailor. 

The Enlightenment caused a number of changes in men’s ideal image. Intelligence and wit were prized above physical prowess of any kind and the army became a profession only resorted to by the poorer, younger sons of the nobility. Military dress played less of a part in the fashion inspiration for men’s clothes as a result, and women’s dress, Asiatic dress, and Country clothing were turned to as sources of inspiration instead.

A "Banyan" (Asian style robe) and turban like cap for wearing at home, inspired by Persian (Iranian) dress. Well to do intellectual men often had themselves painted "at home" in their Banyans, instead of in formal full dress.

 

The Man of Fashion: Peacock Males and Perfect Gentlemen

A History of Men's Fashion


  1778militarystick.jpg (74498 bytes) military man with walking stick from Max von Boehn's Das Beiwerk der Mode, 1928

It should be noted that In England at this time period high fashion and everyday dress for the nobility became separated into two distinct entities, for example, a mid-18th Century English Duke might wear laces, gilt embroidery and velvets at a formal occasion yet wear simple dark Quaker built clothes during the day, almost indistinguishable from what a middle class shopkeeper might wear.

The Dominant style in the the early part of the century was with the formal mode of dress which gradually phased out, until in 1800, almost all that was left was the informal day dress. Throughout the century the two styles existed side-by-side, usually cut along the same lives and only distinguished by color, fabric and trimming.

Go on to: The Cut of Men's Clothes 1700-1800

Patterns For The Drawing Below and other Men's Clothing, available at
The 18th Century Pattern Page.

Number Six Cologne Spray - 3 oz.

 

How To Dance through Time Vol. IV: The Elegance of Baroque Social Dance The Forbidden Best-Sellers of Pre-Revolutionary France

The Costumer's Manifesto is proudly hosted by William Baker.

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This Page is part of The Costumer's Manifesto by Tara Maginnis, Ph.D.  Copyright 1996-2010.   You may print out any of these pages for non-profit educational use such as school papers, teacher handouts, or wall displays.  You may link to any page in my site.