The Costumer's Manifesto is written by Tara Maginnis, and proudly hosted by William Baker.

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Garbo's Rose

 She lifted it

the soft living thing

in her hands

"like a priestess"

above her

to her forehead

like a blessing

to her lips

like a kiss

 

She breathed in

the fragrant petals

as he watched

transfixed

at her fading beauty

so much more

lovely than

her flickering image

black and white

on his memory

 

 

Will you marry me?

he asks

and she says no

will I see you again

he asks

and still it's no

so he steals the rose

that she loved

more than him

and keeps it safe

in her memory

 

Time passes

again he sees her

older

and in his lover's eyes

more beautiful

she does not know

he saved her rose

framed

under glass

"like a fly in amber"

preserving his love

 

She allows him

to love her

but not to take

her picture

she does not want

to be

preserved

or contained

by his love

she tried to love him

but couldn't see

herself

in the idol he worshipped

 

And so again

he was left

to faded roses

old photos

and fading memories

recording his pain

in comforting ink

His pen

his oldest longtime mistress

accepting him again

 

And now the rose hangs

a hemisphere away

in space and time

on a stranger's wall

the actors long dead

having lived out

their roles

to fragile age

alone

and the rose hangs

reminding the stranger

of love long lost

and memory preserved

 

 

Most of this won't make any sense to anybody who hasn't read the Diaries of Cecil Beaton, a noted portrait photographer and the costume designer of My Fair Lady.  Beaton had a lifelong crush on Garbo, and finally got to meet her just before WWII at dinner with friends, where she fondled a rose.  He carefully preserved the rose as a memento, keeping it all through the war while he went around the world as a photographer working for the British government.  After the war he went to New York where he was reintroduced to Garbo, and began an affair that went on and off for several years, till she finally dumped him good and hard.  Beaton, who was generally fascinated with preserving memories of his past (through diaries, photographs, drawings, writing, collecting and designing) kept the rose in a little gold framed case till his death.  Because of it's prominent mention in his diary, on his death, it was bought for a substantial sum by another photographer in Australia, where presumably it remains today.

 

The Costumer's Manifesto is proudly hosted by William Baker.

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This Page is part of The Costumer's Manifesto by Tara Maginnis, Ph.D.  Copyright 1996-2010.   You may print out any of these pages for non-profit educational use such as school papers, teacher handouts, or wall displays.  You may link to any page in my site.

This page last edited on 10/18/2006